This blog is used to post numerous pieces of my AS and A2 Media Studies work, to showcase what I have done and share with others.
Tuesday, 24 September 2013
COURSEWORK PRIMARY TEXT: Codes and Signs
In the
opening 2 minutes of Made in Chelsea series 5, episode 11, signs include a man
stood outside St. Pancreas station in London, on his phone, waiting for
someone. He looks excited, and so the connotations which we get from this are
that he is meeting a woman which he is looking forward to. The denotations and
connotations class as semiotics. This also relates to the theory by Gestalt who
says that when we watch a sequence of actions, we fill in the gaps. Barthes
suggested that our understanding of many media texts rests not merely upon what
the texts portray but on the texts’ relationship to frequently told stories or
myths in our culture. We can relate this to this scene in Made in Chelsea
because it is starting to tell the frequently told love story which plays a big
part in our culture. In terms of the Cinderella myth the cultural meanings or
rather the ideologies and values conveyed are that men are active and women are
passive, then men are economically powerful providers and a women’s key role is
to be sexually alluring. This is definitely portrayed in this scene, because
the male is the one waiting for her, on the phone. She is the one coming to see
him, and she is the one who, through the mise-en-scene, is represented to be
sexually alluring. This means that she is passive and he is passive, and
according to the male gaze, she is represented to be gazed at and he is the
“gazer”.
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Yes - clear use of incorporated theory here. Does this add to your dumbing down debate in any way?
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